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The St. PetersburgerA heritage guide to Russian crafts

Section 04 of 06

Shawls, Lace and Russian Textiles

Wool you can read like a book, down light as breath, lace worked on bobbins: the textile trades of town and steppe.

Folded crimson wool shawl with roses and a cream knitted gossamer wrap resting on a dark wooden chest with a wooden lace bobbin

Two very different textile economies meet in this section. Around Pavlovo Posad, a printing town east of Moscow, factory rollers laid roses and borders onto good wool and shipped shawls across the empire. In the Orenburg steppe and the Vologda north, women knitted goat down and twisted bobbin lace into cloth so fine it passes through a wedding ring at fairs, as the story goes.

Both economies left clear fingerprints: printed repeats versus woven structure, knitted loops versus twisted braids, wool weight versus down weight. The guides give you the hands on comparisons and the honest price ranges, without romance.

In this section

  1. Cream gossamer knitted down shawl folded light as air beside a square of dense white bobbin lace with snowflake pattern on dark wool

    Down and lace: the steppe shawl and the northern braid

    Two handmade textiles from the opposite ends of the country: gossamer down knitted in the steppe, and a lace braid winding through the northern snow.

  2. Crimson Pavlovo Posad wool shawl spread open showing dense rose bouquets, corner medallions and knotted silk fringe on a table

    Pavlovo Posad shawls: reading the painted wool

    A factory town turned flowers into a language: printed wool, silk fringe and borders dense enough to read across a room.

Two neighbouring sections continue the story: Matryoshka & Dolls and Amber & Jewelry. The recognition rules shared by every craft are collected in the guide to spotting fakes.